| Emma 的个人资料绝世名伶照片日志列表 |  工具  帮助 |
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2008/9/25 早早上6点40到学校排队order器材。大概还要等两个小时Lighting&Grip才开门。我瘫在电影学院lobby的沙发上，困得，生不如死。我打个盹先。 --------------------------------两个小时之后的分界线------------------------------------------- 第一个，或者是第二个（有另一个人几乎和我是同时到的，不知道他们会怎么排）交了lighting&grip那些shit，第三个交了camera的order。Good enough。离打工的时间还有一个半小时，到Peet's喝个白巧克力摩卡，顺便上网继续写这篇博。开始用mac之后，在space写博就很不方便。系统不给分行，写完都挤在同一段。好像上一篇，我还要专门进windows系统来改格式。 此刻的心情还不错，隐约觉得things are coming together，没有什么大的不顺利。不过我这样的性格，怕是不太相信会有太顺利的事情。所以不到片子全部拍完wrap up，始终一颗心也是悬着放不下来的。至于其它事情，不高兴想。 低头看到脚上的鞋子，不免很跳tone的觉得美国真干净。这双鞋是我哥送我的生日礼物，我没天天穿，也几乎是隔天就会穿，两个多星期了，还干净成这样。。。不过即使是这样，我暂时也不会有多爱美国的，哼哼。BTW，随身带相机还真是方便呢。
2008/9/23 过去的片断你让我走。 不，我不会让你走。 你是不是因为看了我这封信，所以才这么说的。 不是。 我不想强迫你。 XX，我要跟你说对不起。 不。我不要听你说对不起。 我想要和你重新开始。 可是，可是是你提出要分手的。为什么，为什么我那么爱你，你还。。。 XX，唉。 那几天，我真的很恨你。可是，可是我还是很喜欢你。我该怎么办呢？我害怕，我怕我们又会像从前一样。 不会的。 那你答应我，我们再也不要彼此伤害了，好吗？ 我根本不想和你分手。可是我这个人。。。再也不会了，你相信我。 恩。（狠狠点头！） 为了找一个镜头，要在visual presentation的时候用，我把很多年前狠喜欢，现在却绝对不会再看的一个连续剧又找出来。于是看到上面那段台词。他们对话一开始，我那些记忆就呼啦呼啦的全跑出来，跟着演员把台词几乎不差地给背出来了，连节奏和语气都不差。我一边跟着他们念出台词，一边想起幼稚可笑的我的从前的样子。原来你以为你早就遗忘了的片断，其实都还深深埋藏的心底，只是你轻易不会去触碰，你就以为你已经忘记了。 2008/9/22 Wong Kar-Wai
Chungking Express develops Wong Kar-Wai’s central theme—unrequited love.
Fallen Angels shows a “hedonistic absorption in architectural surfaces, in light sources, in decor of every possible fabric and material”.
“The undercrank/step-printing method gives these scenes a haunting sense of simultaneous animation and suspension”—Chungking Express
Wong Kar-Wai emphasizes the materiality of the image without sacrificing narrative pleasure—Fallen Angels
Characters pursue romance but it doesn't solve any problems—Chungking Express
“The only thing to be trusted is the edge of a blade.”
Brigitte Lin, seen also above, plays a dual role as crossdressing twin sisters, or a man and a woman, or a multiple personality seen in her various states.
Lin as a swordsman avenger
The lovesick swordsman, Ouyang Feng (Leslie Cheung) seeks oblivion to forget his unrequited love.
Tony Leung Kar-Fai also takes the wine of “dreams and oblivion.”
Maggie Cheung, as the woman both men love, has a cameo with a ten-minute monologue that recapitulates many of the film’s themes.
The Drug Smuggler looks for the couriers who stole drugs from her.
Brigitte Lin as the Drug Smuggler
Off-duty cop, He Qiwu, played by Taiwanese pop star Takeshi Kaneshiro, flirts with the woman he’s supposed to arrest.
Faye Wang as a pop star
Faye with cop 633, played by Tony Leung, in the Midnight Express where she works
Faye in the Midnight Express.
Faye in cop 633’s apartment
“633 sits around his apartment in his underwear talking to his household objects. He rationalizes Faye’s decorating changes as his apartment expressing its own sadness over his break-up.”
He Qiwu trying again to phone his love
He Qiwu’s collection of empty pineapple cans.
The laconic hired killer Chi-Ming stands as still as a statue as he empties his clips into the men and women in front of him.
In the opening shot showing the Agent, hired by Chi-Ming and attracted to him, the two characters’ placement conveys the disparity between them.
The Agent, clad in a leatherette mini-dress, goes to clean the absent Chi-Ming’s apartment...
...and masturbates on his bed there.
The Agent in a coffee shop in the movie’s penultimate scene: “There are some people you can never get close to. Get too close, and you’ll find him boring.”
The elusive “Baby” by her apartment building allows Wong once again to play with Western beauty standards.
Cinematography blends with intentionally garish set design (by William Chang) to counter “realism.”
One shot, when Qiwu realizes that he’s in love with Charlie, occupies the screen for two and a half minutes.
At the height of Qiwu’s love for Charlie, his hair turns blonde all on its own—only to become black again after Charlie stops seeing him.
Wong Kar-Wai’s signature emphasis on architectural surface—Fallen Angels.
Most of the film has the actors in close proximity to the camera’s fisheye wide-angle lens—Fallen Angels.
Black and white images, low-key lighting, underworld ambiance, and ubiquitous cigarette smoke all evoke film noir. Combined with the contorted composition, these elements show Wong’s self-reflexive mastery of film history and form—Fallen Angels.
For Wong, genre typage sets up characters with deadened senses and no personal or social transformation. Some characters resist such typage, such as Faye and 633 in Chungking Express. 2008/9/16 NoneI have seen sunsets and sunrises, but nothing of your beautiful face. The pieces of my broken heart are so small that they could be passed through the eye of a needle. I miss you like the sun misses the flower; like the sun misses the flower in the depths of winter. 2008/9/3 生日快乐我总是认为，我的新年是从9月开始。新的一年，新的生活，无论是学习还是工作。
来美国之前，我每年生日或是过年，都会正经八百地许下愿望。比如什么托福考过600分，顺利拿到签证之类。到了美国之后，什么愿望都没有了。每天能活着就是奇迹。而最近，又开始空前迷惘，空前地怀疑我到底在做什么要做什么这样的人生命题。我每天被一个要死不活的剧本折磨得茶饭不思脾气暴躁。像个没头苍蝇一样到处给我的电影找演员找摄影找作曲找每一个剧组工作人员。我为这个短片又将要扔出去几千美金。而我并不确定将会获得些什么。
我仍然在为将来的出路头疼，回不回国，拍不拍胶片，嫁给A还是嫁给B。脑子一团浆糊。
我还是想不通，我每天忙忙碌碌絮絮叨叨，或者没有忙忙碌碌絮絮叨叨，只是发呆逃避神经质，到底是为了什么。
美国时间还在3号，而北京时间已经是我的生日了。如果说真的有什么愿望。我希望可以尽快把一些东西理清楚，开始做些正经事，少一点压力，多一点开心。足矣。
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